The "Pop Mart for Middle‑aged People": a catchy pitch that’s proving hard to sell
A model that worked for youth proves elusive for older buyers
A wave of startups in China set out to replicate Pop Mart (泡泡玛特)’s formula — blind‑box collectibles, limited runs, and community‑driven fandom — but aimed squarely at middle‑aged consumers. The idea sounds simple: middle‑aged buyers have bigger wallets and fondness for nostalgia, so why not design collectible toys and lifestyle products for them? The reality, it turns out, is more complicated. Huxiu (虎嗅) explored the trend and it has been reported that many of these ventures are struggling to convert curiosity into sustained sales.
Why Pop Mart’s playbook doesn’t translate neatly
Pop Mart built its success on young, social consumers who prize surprise, social signaling, and the hunt for rare pieces — plus a retail footprint and online secondary market that amplified scarcity. Middle‑aged purchasers behave differently. They often prefer perceived utility, clear value, and trusted brands over impulsive purchases. Community glue is harder to manufacture: hobbies among older buyers skew toward established fandoms (vintage electronics, antiques), not manufactured blind‑box drops. It has been reported that several startups have found conversion rates and repeat purchase frequency far lower than expected.
A cautionary case for investors and consumer strategists
The difficulties also reflect bigger forces: slower post‑pandemic consumption growth, cautious household spending amid property and macro pressures, and investor impatience for quick scale. For Western readers, this is a reminder that China’s consumer playbook is not monolithic — success in one demographic does not guarantee transferability. Reportedly, some teams have retrenched, refocused on niche licensing deals, or folded stores back into e‑commerce only. What remains unclear is whether brands can craft genuinely resonant products for middle‑aged buyers without simply transplanting a youth‑oriented marketing template.
So what now?
The experiment raises a practical question: can design and storytelling be retooled to meet the emotional logic of older consumers — or was the pitch always a marketing shorthand that ignored deeper differences in taste and buying behavior? For founders and investors watching China’s consumer sector, the answer will matter. It has been reported that those who succeed will be the ones who start from the middle‑aged customer’s values, not from Pop Mart’s playbook.
